To enable the global production capacity and capabilities that blockbuster features and world-class advertising require, Deluxe’s Method Studios continues to integrate VFX and VR/AR operations, and has added new leadership roles at the global level. Eric CombriĆ© has been promoted to chief operating officer, reporting to president of VFX and VR/AR, Ed Ulbrich. Tom Wild has been promoted to VP of global production operations, joining CombriĆ©’s team, along with Jeff Werner, who returns to Method as director of digital studio in Los Angeles.
Ulbrich said, “Over the past year we’ve begun to identify the best systems and processes within all of our locations and implement them across the board to standardize production operations. This new team will lead us as a global operation, working closely with production and technology leadership in our LA, New York, Vancouver, Sydney, Melbourne and Pune studios, to shift and share capacity and capabilities as a fully unified global operation.”
CombriƩ joined Method in 2016 as SVP, global business operations after having spent nearly two decades at Technicolor in senior financial roles, most recently as division CFO, production services, overseeing finance and operations for VFX, animation, games and postproduction for entities including MPC, The Mill, Mr. X and Mikros Image.
Wild, a 20-year production veteran, has been promoted to the global team from Iloura in Melbourne, where he was national head of production. There he designed and managed an integrated system that connects production, finance, recruiting, operations, and sales across multiple facilities. He will focus on extending this system to further unify Method, Iloura and VR/AR global operations. Wild’s credits include the Mad Max: Fury Road and the VFX Emmy® Award-winning Game of Thrones.
Werner, who spent five years at Method, returns as digital studio director, Los Angeles, most recently from MPC, where he was head of production. He will cultivate and lead artist, artist management and art department teams for feature and commercial VFX and VR/AR, and support studio operations locally. Globally, he will lead artist initiatives to facilitate international mobility and support the expansion of the Method artist team in Pune. His credits include The Curious Case of Benjamin Button, two Pirates of the Caribbean features and X-Men 2, and commercial campaigns for top brands.
Method and Iloura recently completed work on Spider-Man: Homecoming from Marvel Studios and Sony Pictures. Method also recently completed VFX for Netflix’s Okja, and Guardians of the Galaxy: Vol. 2 from Marvel Studios and Walt Disney Studios Motion Pictures.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this ā and those many "Babadook" memes ā unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables ā "Bah-Bah-Doooook" ā an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More