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    FilmLight boosts Baselight for Avid functionality and efficiency with 5.0 at IBC

    By SHOOTUpdated:No Comments2035 Views
    LONDON --

    Color science and grading specialist FilmLight is showcasing the latest release of Baselight for Avid, its high-productivity plugin that brings color control and preview to editing workstations, at IBC2017 (Amsterdam, September 15-19, stand 7.F31). With Baselight for Avid and FilmLight’s render-free, metadata-driven workflows, editors always see the latest grade, and can make their own adjustments to it without leaving the Avid environment.

    The new release, while still providing sophisticated, professional color grading within the familiar Avid environment, brings even greater efficiencies from the Baselight platform. A new visual timeline allows the user to see and move easily between shots. Combined with the new relational navigation tool, which allows users to narrow down material very quickly and move between shots with the same clip or tape name, navigation is both seamless and simple. 

    The popular Baselight workspaces tool is also available in Baselight for Avid 5.0, allowing users to customise their screen and arrange panels within the Baselight UI according to their individual needs and preferences. 

    Beyond navigation and layout, the addition of relational grading replicates Baselight’s powerful multi-shot grade application, by allowing grades to be copied and imposed on shots defined by the same category, such as clip name, bin name, camera and so on. 

    The latest version also brings the new grading tools introduced in Baselight 5.0 into the Avid workspace. This includes the revolutionary Base Grade concept from FilmLight, which gives the artist access to a set of controls that accurately mimic the way the eye appreciates color, rather than the traditional lift/gamma/gain approach. Also featured is the texture equalizer, which can be used for skintone fixes: giving the editor the ability to clean up skin issues without handing the shot off to a colorist is another huge productivity boost. Other new functionality includes perspective tracking for grading windows, gamut tools for moving between color spaces, and denoise.

    Baselight for Avid is part of FilmLight’s unique unified approach to color management. The raw images are retained throughout, with the grade captured in metadata in the FilmLight BLG format. Any device, from Prelight ON-SET or the Daylight dailies tool through Baselight for Avid to the full colorist suite, will interpret the BLG metadata and impose the latest version of the grade in real time.

    “What our users have told us, very clearly, is that the FilmLight BLG workflow is hugely productive–and they want to use it more,” said Martin Tlaskal, lead developer, FilmLight. “They want editors and other users of Baselight plugins to have the same functionality that the colorist has, and see precisely the same grade, however rich and sophisticated. This new version of Baselight for Avid achieves just that. This is another huge step forward for collaborative workflows, helping facilities work more productively and achieve a better, more dynamic final result.”

    FilmLight will be showing its full range of grading and color management systems on stand 7.F31 at IBC, and will be highlighting the productivity gains of the BLG render-free workflow. Baselight for Avid can also be seen at the Avid booth, 7.J20.

    Tags:AvidBaselightFilmLightIBC



    A Closer Look At Proposed Measures Designed To Curb Google’s Search Monopoly

    Thursday, November 21, 2024

    U.S. regulators are proposing aggressive measures to restore competition to the online search market after a federal judge ruled Google maintained an illegal monopoly for the last decade.

    The sweeping set of recommendations filed late Wednesday by the U.S. Department of Justice could radically alter Google's business, including possibly spinning off the Chrome web browser and syndicating its search data to competitors. Even if the courts adopt the blueprint, Google isn't likely to make any significant changes until 2026 at the earliest, because of the legal system's slow-moving wheels.

    Here's what it all means:

    What is the Justice Department's goal?
    Federal prosecutors are cracking down on Google in a case originally filed during near the end of then-President Donald Trump's first term. Officials say the main goal of these proposals is to get Google to stop leveraging its dominant search engine to illegally squelch competition and stifle innovation.

    "The playing field is not level because of Google's conduct, and Google's quality reflects the ill-gotten gains of an advantage illegally acquired," the Justice Department asserted in its recommendations. "The remedy must close this gap and deprive Google of these advantages."

    Not surprisingly, Google sees things much differently. The Justice Department's "wildly overbroad proposal goes miles beyond the Court's decision," Kent Walker, Google's chief legal officer, asserted in a blog post. "It would break a range of Google products — even beyond search — that people love and find helpful in their everyday lives."

    It's still possible that the Justice Department could ease off on its attempts to break up Google, especially if President-elect Donald Trump... Read More

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