Creative studio Luma, known for its visual effects work, has hired Ben Hibon to serve as head creative director.
A career as an artist and animation director has taken Hibon from television commercials to branded content to video game creation for clients like Disney, Microsoft, Sony, and Riot Games. He has lent his design skills to feature films such as Snow White and the Huntsman and The Last Witch Hunter. Most notably he was at the helm of the Academy Award-nominated The Tale of Three Brothers animated sequence from Harry Potter and the Deathly Hallows: Part 1.
VFX house Luma is expanding into the realm of original content. Luma’s Santa Monica and Melbourne studios will continue their exclusive service model while developing partnerships that enable the company to be active in creative as well. Hibon will be working with the heads of Luma’s animated and live action content, and new content and media arms, helping to shape and guide the new branches toward varied forms of storytelling.
Founded by Payam Shohadai, Luma Pictures debuted in 2002 with visual effects for Charlie’s Angels and has gone on to contribute visual effects for such films as Deadpool, Captain America: Civil War, and Doctor Strange.
Does “Hundreds of Beavers” Reflect A New Path Forward In Cinema?
Hard as it may be to believe, changing the future of cinema was not on Mike Cheslik's mind when he was making "Hundreds of Beavers." Cheslik was in the Northwoods of Wisconsin with a crew of four, sometimes six, standing in snow and making his friend, Ryland Tews, fall down funny.
"When we were shooting, I kept thinking: It would be so stupid if this got mythologized," says Cheslik.
And yet, "Hundreds of Beavers" has accrued the stuff of, if not quite myth, then certainly lo-fi legend. Cheslik's film, made for just $150,000 and self-distributed in theaters, has managed to gnaw its way into a movie culture largely dominated by big-budget sequels.
"Hundreds of Beavers" is a wordless black-and-white bonanza of slapstick antics about a stranded 19th century applejack salesman (Tews) at war with a bevy of beavers, all of whom are played by actors in mascot costumes.
No one would call "Hundreds of Beavers" expensive looking, but it's far more inventive than much of what Hollywood produces. With some 1,500 effects shots Cheslik slaved over on his home computer, he crafted something like the human version of Donald Duck's snowball fight, and a low-budget heir to the waning tradition of Buster Keaton and "Naked Gun."
At a time when independent filmmaking is more challenged than ever, "Hundreds of Beavers" has, maybe, suggested a new path forward, albeit a particularly beaver-festooned path.
After no major distributor stepped forward, the filmmakers opted to launch the movie themselves, beginning with carnivalesque roadshow screenings. Since opening in January, "Hundreds of Beavers" has played in at least one theater every week of the year, though never more than 33 at once. (Blockbusters typically play in around 4,000 locations.)... Read More