MTI Film announced the release of DRS™Nova 2.3, a significant update to its industry-standard software for digital film restoration. The new release includes a host of new and enhanced features created in response to requests from restoration professionals worldwide. All are aimed at making such tasks as dust-busting, image stabilization and de-warping faster and easier.
“We listened to people who use the product every day,” said MTI Film director of product development Randy Reck. “This latest release is focused on streamlining routine tasks and making the software more responsive to the way artists work.”
New features of DRS™Nova 2.3 include offset tracking for image stabilization. It allows users to track objects even when tracking points move beyond the boundary of the frame. The feature makes it simpler to stabilize shots with camera movement or complex motion. The same functionality will soon also be available for de-warp operations.
Other improvements include:
- Mouse magnifier. Pan, zoom in and zoom out via a mouse button.
- Mouse preview. View import frames in reveal or clone mode.
- Dirt map generator. Generate dirt maps utilizing data from the alpha channel of a film scanner.
- Stabilization and de-warp presets. Save used settings and perimeters for routine tasks.
- Improved clip import. Import large files faster.
- Streamlined management for OpenEXR files.
MTI Film’s original DRS™ software, released in 1997, was the industry’s first and revolutionized the process of restoring films through an integrated suite of tools for addressing dust, debris, scratches, mold, warping and a host of other problems quickly and seamlessly. MTI Film software is currently used worldwide by motion picture studios, postproduction facilities, film archives and others seeking to restore motion pictures, documentaries and other archival material to pristine quality.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie โ a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More