Blackmagic Design announced a new DaVinci Resolve 12.5.3 update for its professional editing and color correction software. DaVinci Resolve 12.5.3 features support for importing and exporting projects from the latest version of Final Cut Pro X, as well as additional improvements to Media Composer interoperability, ACES color science and more. DaVinci Resolve 12.5.3 update is available now for both DaVinci Resolve and DaVinci Resolve Studio customers, and can be downloaded free of charge from the Blackmagic Design website.
DaVinci Resolve 12.5.3 update adds compatibility with the new XML 1.6 format used in the latest version of Final Cut Pro X. That means customers using the new version of Final Cut Pro X will be able to seamlessly send projects to DaVinci Resolve for color correction and finishing and also generate XML’s to export projects back to Final Cut Pro X. In addition, DaVinci Resolve 12.5.3 includes PostgreSQL 9.5.2 for compatibility with macOS Sierra.
DaVinci Resolve 12.5.3 also adds support for ACES version 1.0.2, including the ACEScct color space. ACEScct is a quasi-logarithmic encoding of ACES data to make it suitable for color grading with DaVinci Resolve 12.5.3.
This new update also improves interoperability with Media Composer. AAF projects containing dip to color dissolves and certain transformation effects such as flip and flop are greatly improved, making it easier to successfully move projects from Media Composer to DaVinci Resolve for finishing. DaVinci Resolve 12.5.3 also improves Dolby Vision XML exporting for mastering and finishing high dynamic range content.
“In addition to being an incredible editing and color correction solution, one of the things that customers love the most about DaVinci Resolve is that it just works with everything,” said Grant Petty, CEO, Blackmagic Design. “This new update makes it easier and more reliable than ever to move projects from Final Cut Pro X and Media Composer into DaVinci Resolve. Once there, customers can use improved ACES and DolbyVision support to edit, color correct and finish their projects in high dynamic range and at the highest possible quality!”
What’s new in DaVinci Resolve 12.5.3
- Added support for Final Cut Pro X XML Version 1.6
- Added support for PostgreSQL 9.5.2 on macOS Sierra
- Added support for ACEScct color science
- Updated ACES support from ACES 1.0.0 to ACES 1.0.2
- Improved performance when encoding to MXF XAVC
- Improved importing of Flip and Flop from AAFs from Media Composer
- Improved importing of Dip to Color dissolves from AAFs from Media Composer
- Improved Dolby Vision XML export
Availability and Price
DaVinci Resolve 12.5.3 update and DaVinci Resolve 12.5.3 Studio update are now available for download from the Blackmagic Design website free of charge for all current DaVinci Resolve customers.
Directors Melissa Bolton-Klinger and Sasie Sealy Join Honor Society For Spots, Branded Content
Production company Honor Society has added directors Melissa Bolton-Klinger and Sasie Sealy to its roster for U.S. representation spanning commercials and branded content. Bolton-Klinger, a director and creative director, brings a diverse portfolio of commercial, TV and film work to her new roost. Her background in improv at L.A.โs The Groundlings informs her fast-paced, sharp, and humorous directing style. She also has a finely honed expertise with celebrity talent and complex shoots. Bolton-Klinger, who was awarded a Grand Clio for her work with Reno 911, kicked off her collaborative efforts at Honor Society with projects for Coffee Mate and Future Forward. She said, โIโm so excited to be joining the Honor Society crew. Theyโre all about supporting women and taking creative risks, which is exactly where I thrive. With [Honor Society founder and EP] Megan Kelly leading the charge, itโs the ideal spot for me to use my comedic and celebrity-infused powers for good. Iโm looking forward to crafting more work that not only gets laughs but leaves a lasting impact.โ Prior to joining Honor Society, Bolton-Klinger was repped by production studio Slim. Meanwhile Sealy, who had earlier been repped by production house Bullitt, is an award-winning writer/director celebrated for her striking visuals and witty, original scripts. Her debut feature film Lucky Grandma premiered at the Tribeca Film Festival to critical acclaim and was included in multiple โBest of 2020โ lists, such as Indiewire and New York Magazine. Named one of โ9 Filmmakers Who Should Be on Your Radarโ by The New York Times, Sealy has had her work recognized for its bold, humorous take on the female experience. Her commercial work spans... Read More