By Michael Liedtke, Technology Writer
MENLO PARK, Calif. --Facebook is training its computers to become seeing-eye guides for blind and visually impaired people as they scroll through the pictures posted on the world's largest online social network.
The feature rolling out Tuesday on Facebook's iPhone and iPad apps interprets what's in a picture using a form of artificial intelligence that recognizes faces and objects. VoiceOver, a screen reader built into the software powering the iPhone and iPad, must be turned on for Facebook's photo descriptions to be read. For now, the feature will only be available in English.
Until now, people relying on screen readers on Facebook would only hear that a person had shared a photo without any elaboration.
The photo descriptions initially will be confined to a vocabulary of 100 words in a restriction that will prevent the computer from providing a lot of details. For instance, the automated voice may only tell a user that a photo features three people smiling outdoors without adding that the trio also has drinks in their hands. Or it may say the photo is of pizza without adding that there's pepperoni and olives on top of it.
Facebook is being careful with the technology, called "automatic alternative text," in an attempt to avoid making a mistake that offends its audience. Google learned the risks of automation last year when an image recognition feature in its Photos app labeled a black couple as gorillas, prompting the company to issue an apology.
Eventually, though, Facebook hopes to refine the technology so it provides more precise descriptions and even answers questions that a user might pose about a picture.
The vocabulary of Facebook's photo-recognition program includes "car," ''sky," ''dessert," ''baby," ''shoes," and, of course, "selfie."
Facebook also plans to turn on the technology for its Android app and make it available through Web browsers visiting its site.
The Menlo Park, California, company is trying to ensure the world's nearly 300 million blind and visually impaired people remain interested in its social network as a steadily increasing number of photos appear on its service. On an average day, Facebook says more than 2 billion photos are posted on its social network and other apps that it owns, a list that includes Messenger, Instagram and WhatsApp.
In a Tuesday post, Facebook CEO Mark Zuckerberg hailed the photo description tool as "an important step towards making sure everyone has equal access to information and is included in the conversation."
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More