Denmark public broadcaster TV2 Fyn has purchased a Snell Kahuna switcher with two of the new Maverik configurable control panels to help drive its move into HD news production. Snell’s Kahuna Make M/E technology enables a single mainframe to support two independent studio operations, with both studios benefiting from full 2M/E production power, including super-keyers, eKeys and 3D DVEs, via Maverik control. The system also integrates a Sirius 800 router with built-in Advanced Hybrid Processing on every input and output, eliminating the need for external signal processing devices. The systems were supplied through AVIT-Systems, Snell’s partner in Denmark.
The Kahuna is fully integrated with TV2 Fyn’s Viz Mosart news automation system. Kahuna Watch provides automated loading of graphics to the on-board Clipstore to ease production workflows. Snell FormatFusion3 technology ensures that the system can handle SD, HD, 1080p and 4K simultaneously. The Kahuna also controls TV2’s on-air servers, providing instant access to multiple content streams via the Maverik panels.
“Switching and routing are the backbone of our news operations and we needed a system that would enable us to transition smoothly to HD,” said Michael Jensen, head of production at TV2 Fyn. “The Sirius router gives us the flexibility we need in a compact package, and the power of the Kahuna meant that we could provide full live HD and SD production capability to both news studios from a single mainframe, saving valuable rack space and cost; Snell was the only company that offered us this key benefit. The Maverik panels add flexibility, giving us exactly the control layout we need and enabling us to almost instantly reconfigure studio control if required to meet the needs of different productions.”
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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