CLIENT
Ford Motor Company/Lincoln Navigator and Aviator.
PRODUCTION CO.
Pacific Rim Films, Venice, Calif.
Vic Armstrong, director; Paul Laufer, DP; Annie Johnson, executive producer; Mark Conley, line producer. "Tokyo" was shot on location in Tokyo, "Moonlight" was shot in Bodega Bay, Calif., and "Foto Booth" was lensed in Monrovia, Calif.
AGENCY
Young & Rubicam Detroit, Dearborn, Mich.
Lance Paull, executive group creative director; Bertrand Garbassi, group creative director; Chris Parker and Kevin Finney, art directors; Judy Little and Bob Havlena, copywriters; Robert Parker and Curt O’Brien, producers.
EDITORIAL
Spot Welders, Venice.
Michael Heldman, editor, "Moonlight"; Scott Chestnut, editor, "Tokyo" and "Foto Booth."
POST
Company 3, Santa Monica.
Stefan Sonnenfeld, colorist; Missy Papageorge, producer, "Tokyo" and "Moonlight."
R!OT, Santa Monica.
Mark Wilkins, colorist, "Foto Booth."
VISUAL EFFECTS
Sight Effects, Venice.
Adrian Hurley, visual effects supervisor; Melissa Davies, executive producer.
AUDIO POST
RavensWork, Venice.
Robert Feist, mixer.
MUSIC
Face The Music, bicoastal.
Jon Florencio, composer, "Foto Booth"; Ed Ma, composer, "Tokyo"; Ben Wise, composer, "Moonlight"; Adam Joseph and Chris Doyle, executive producers.
THE SPOTS
"Tokyo" (:30) follows an American in a Navigator as he drives through the neon canyons of central Tokyo. "Moonlight" (:30) shows a couple in a Lincoln Aviator on a midnight drive to the ocean. And the :30 "Foto Booth" follows a man who is using snapshots of himself to choose between a Navigator and an Aviator.
Spots broke in February.