Dattner Dispoto and Associates (DDA) cinematographers’ pilots, series and TV movies will air on networks and cable channels this fall.nnXavier Grobet, ASC’s pilot for ABC’s “Back in the Game” and the first of cinematographer Ken Glassings’ episodes for the 14th season of the CBS hit series CSI will both air Sept. 25. Oct. will see the premieres of John Lindley, ASC’s pilot for Lifetime’s “Witches of East End;” the HBO premiere of Arlene Nelson’s meaningful documentary “Valentine Road,” which premiered at this year’s Sundance Film Festival; David Moxness, CSC’s episodes of the new CW series “The Tomorrow People” and Bob Gantz, ASC’s episodes of USA’s flagship hit “White Collar.”nnIn November, a new J.J. Abrams sci-fi series Almost Human will premiere with series lensing from Michael Wale, CSC. nnStephen St. John’s work on National Geographic’s TV movie “Killing Kennedy,” starring Rob Lowe and Tami Reiker, ASC’s HBO pilot “Getting On also debuts in November.”nnFor “Back in the Game,” shot by Xavier Grobet, directors Glenn Ficarra and John Requa direct Mark and Robb Cullen’s script about a divorced single mother who moves back in with her estranged, boozed-up, ex-baseballer father, who begins coaching her son’s Little League team. Grobet is currently working on Ficarra and Requa’s new feature Focus and his film for writer/director Nicole Holofcener, “Enough Said,” just premiered at the Toronto International Film Festival ahead of a Sept. 20 theatrical release.nnKen Glassing will shoot the return of CSI cast members and fan favorites George Eads and Marg Helgenberger in the upcoming 14th season of the long-running show. The series about investigators who focus on forensic evidence rather than detectives-who-pound-the-pavement ushered in a new wave of crime procedurals when it debuted in 2000.nn”Witches of East End,” shot by John Lindley and starring Julia Ormond, follows the mother of a Long Island family who must reveal to her two adult daughters their heritage: they are the next generation in a line of powerful witches. The series begins airing Oct. 6. Lindley’s next feature is Chernin Entertainment and The Weinstein Company’s “St. Vincent of Van Nuys” with director Ted Melfi.nnThe Sundance Film Festival selected “Valentine Road” to screen in the 2013 festival. Following that premiere, HBO chose to add the gripping story about the eighth grader who shot and killed a classmate to their fall documentary roster. Arlene Nelson’s camera insightfully captures the complicated story, which will have its HBO premiere on Oct. 7.nn”The Tomorrow People” is creators Greg Berlanti and Julie Plec’s new series about the next phase in human evolution, where some are granted special powers including telepathy and teleportation. Emmy®-nominated and ASC Award-winning DP David Moxness provides visuals for the pilot premiere and series episodes commencing Oct. 9.nnThe popular and lively story of a charismatic white collar criminal and the FBI agent who uses him to help apprehend other criminals, White Collar, will begin its 5th season Oct. 17, with Bob Gantz behind the camera.nn”Almost Human” is a collaboration between creator J.H. Wyman and producer J.J. Abrams, set in the near future when humans and robots work together as law enforcers. Michael Wale came is the series’ director of photographer; the pilot airs Nov. 4.nn”Killing Kennedy” is a new look at the lives of JFK and Jackie O, based on Bill O’Reilly and Martin Dugard’s book Killing Kennedy: The End of Camelot. Directed by Nelson McCormick and produced by Ridley Scott, the TV movie stars Ginnifer Goodwin as Jackie O and Rob Lowe as John F. Kennedy. Stephen St. John’s cinematography, already on display in the movie’s early trailer, can be seen fully when the movie debuts Nov. 10.nn
nnTami Reiker, ASC shot the dynamic pilot for HBO’s
