Akhnaton Films announced today that Sherif Sadek’s award-winning documentary, “From Queens to Cairo” (2012) is continuing on its film-festival journey with a screening Sunday, June 23 at the San Antonio Film Festival. The festival runs from June 19 to June 23, in San Antonio, TX. nnNominations, Awards and Screeningsn• Nominated as Best Director of a Short Documentary for “From Queens to Cairo” at the Madrid International Film Festival, July 1 – 6, 2013. n• Official selection and screening in the Egyptian Works program at the 16th annual Ismailia International Film Festival in Ismailia, Egypt, June 4 – 9, 2013n• Winner of Best Feature Documentary at the Queens World Film Festival, in Queens, NY, March 2013.n• Official Selection at the Rainier Independent Film Festival, Mount Rainier, WA, May 10 – 12, 2013n• Featured on Indiewire as Project of the Day. nnThis informative and insightful documentary follows Egyptian-American filmmaker Sherif Sadek as he returns to his native Cairo with his family one year after the start of the Egyptian Revolution. With tons of misinformation in the global media, Sadek is determined to see for himself how Egyptians will navigate the bumpy road to democracy after decades of authoritarianism. His journey takes him from famed Tahrir Square to the inside of taxi cabs to rallies and slums as he searches for perspectives from all walks of life.nn
nnSherif Sadek, Akhnaton Films:nThe growing interest in this documentary by the global community is incredibly heart warming because as an American Egyptian, making this film is very personal to me. With the recent political events in Egypt, I wanted to experience history in the making and show the world the humanity, passion, and courage of the Egyptian people, no matter their political beliefs. Fortunately, I’m able to use powerful DI software tools like SCRATCH to shape the story and preserve the realistic look of day-to-day events.nnProductionnSadek shot “From Queens to Cairo” with a Nikon D7000 HDSLR. He then used ASSIMILATE’s SCRATCH software to do the conforming and turned to Jason Crump at Metropolis Post for the color grading in SCRATCH. Sadek was able to do the finishing himself, using the SCRATCH Finishing software. Sadek notes, “I work with SCRATCH every day in a technical support role for ASSIMILATE, but to experience its ease-of-use and powerful tool set as a user, gave me even greater appreciation for the craft and creativity of post-production artists.”nnQuotes from the industrynDon Cato, curator of the Queens World Film Festival 2013, gave high marks to Sadek’s documentary, stating, “What at first seemed ordinary, quickly turned to an unflinching drama, drawing a line between pyramids and poverty, Cairo and New York, a people’s movement for freedom and the reactions of his children. It’s a very, very fine piece of work!” nn”When I saw this [film] at the Queens World Film Fe
Akhnaton Films Sherif Sadek 646-662-4312 Contact Sherif via email
Goldcrest Post Speeds Delivery of “Severance” Season Two
The New York Times recently wrote that the just-released Season Two of Severance will “blow your mind”—and we couldn’t agree more. Created by Dan Erickson and Ben Stiller, the Apple TV+ drama is smart, spellbinding, distinctly original and packed with surprises. For those who aren’t already devoted fans, the show centers on Mark Scout (Adam Scott), leader of a team at Lumon Industries, whose employees have undergone a “severance” procedure that surgically divides their memories between their work and personal lives. Goldcrest Post provided post services for both seasons of the show, including picture editorial support, sound editorial, ADR and sound mixing. Editorial for Season One began in 2020. Due to the restrictions imposed by the pandemic, Goldcrest supplied both onsite production offices and edit suites, and remote editing systems for individual editors, with everything linked to a central server. "Mixing at Goldcrest with our team has been a great experience,” says Stiller. “Bob and Jacob are in sync with our creative process and so good at what they do that the experience is always one where it's about how we can enhance the creative vision, with a baseline of knowing everyone is totally committed to making something as good as it can be." Diana Dekajlo, the show’s co-producer, says that the arrangement worked so well, they chose to continue the hybrid approach for Season Two. “We’re a remote friendly show,” she explains. “Whether we’re at Goldcrest, our studio in the Bronx or at home, our workflow is seamless. I conduct remote daily meetings with my immediate staff, and weekly meetings with editorial and VFX, and we talk to each other as if we were just down the hall. It makes for great staff... Read More