SALT, an award-winning design and post production company, along with newly launched sister company Foghorn Productions, has finally released their 2011 documentary short “Day At The Pool,” starring http://www.imdb.com/name/nm0672769/“>Stacy Peralta, Jay Adams and the rest of the Dogtown crew.nnThe short stormed the film festival circuit, winning Best In Festival (Malibu International Film Festival), Honorable Mention Documentary Short (http://www.austinfilmfestival.com/“>Austin Film Festival) and Best Documentary Short (Irvine International Film Festival). Now, this much anticipated release means audiences all over the world can watch it by downloading from Apple iTunes here. If you’d like to buy the DVD, click here to head to the film’s website. Later releases will include DVD, X-Box, Zune, Playstation, Amazon, Vudu, Netflix, YouTube, Google Play, Android and Hulu.nn”Day At The Pool” challenges http://www.imdb.com/title/tt0275309/“>Dogtown and Z-Boys (2001) mainstream account of skateboarding history and stumbles upon a hidden secret that sheds new light on the true origins of modern skateboarding. “A stunning film! Day At The Pool is like the Spinal Tap of skateboarding,” reviewed the Austin Film Chronicle. When deciding to make the film, first time film directors Eric Fulford and Ian Douglass knew there would be some controversy, but their efforts haven’t gone unnoticed, as they’ve since garnered themselves the People’s Choice Best Director at the Hollywood Reel Independent Film Festival and Best Directorial Debut at the IFQ Film Festival.nn
nWatch the trailer http://dayatthepoolthemovie.com/trailer/“>online here.
Melissa Blakey 9503 Jefferson Blvd, Studio B Culver City, CA 90232 PH: (310) 838-7258
Who Needs Los Angeles? We Do.
One doesn't have to be a statistician to know that there are fewer commercials being shot in the U.S. today for the American market than ever before, and a dramatic decrease in L.A. in particular. In the last five years, as reported by FilmLA (the office tasked with issuing permits), L.A. commercial production has dipped 31 percent. But hereโs the thing: This doesnโt mean that L.A. has lost its importance as the production center of the world. Production in L.A. is vital. It is the go-to. Itโs where you can count on access to exemplary crews, a support infrastructure second to none, varied location and backlot options, a large population of on-screen talent and (fairly) predictable weather. The fact is, with overall decline and now the devastation of the fires, weโre on the brink of losing this mainstay resource. Without employment opportunities and now many without homes, talented and trained crew are bound to leave either the industry or the LA area for other opportunities, unless there are enough job opportunities to sustainย a solid living. Now is the time when we ALL must support and bolster this community. Production is needed in L.A., now! Of course, advertising is a business, and marketersโ money should be spent as efficiently as possible, BUT we have to think beyond each production and know that if we lose the incredible resource of L.A. production as we know it, then marketers, agencies and the industry loses in the long run. Over the past several days, some agencies have issued directives to production companies that are unilaterally pushing upcoming production options out of L.A. The fact is L.A. is a large area, and many sections of the city and county are not directly impacted... Read More