Level 256 Visual Effects, a modern, digital artist collective and visual effects production studio, and its owner Scott Davids, who has been involved in the contribution of VFX to many of the biggest hit comedy films of the past decade, have produced more than 60 VFX shots for “The Dictator,” the latest film from Sacha Baron Cohen.n nThe new film, released May 16 by Paramount Pictures, marks the third collaboration between Davids and Baron Cohen. Previously, Davids contributed VFX work to the comedian’s films “Borat” and “Bruno,” for which Davids also served as one of the editors. n nFor “The Dictator,” Level 256 produced a diverse array of visual effects sequences. These included a number of “split screen scenes” in addition to other VFX work, such as 3D sign replacements, wire removals and a number of green screen shots. nnEric J. Robertson, VFX Supervisor for “The Dictator,” said, “One of the great things about Level 256 is that they ask a lot of questions, come up with lots of ideas, and offer a number of artistic options. They have a great ‘comic eye’ and will always find a creative solution to a problem.”n nScott Davids said, “Specializing in the creation of visual effects for comedy films, our goal was to work closely with Eric Robertson, whose eye for color and integration is first rate, and VFX Editor Todd Fulkerson to ensure that the scenes that included visual effects in ‘The Dictator’ allowed the comedic work of the characters to be continuous and seamless, while always moving the story forward.”nnAbout “THE DICTATOR” n”The Dictator,” starring Sacha Baron Cohen, Anna Faris and Ben Kingsley, is the heroic story of a North African dictator who risks his life to ensure that democracy would never come to the country he so lovingly oppressed. Directed by Larry Charles, written by Sacha Baron Cohen & Alec Berg & David Mandel & Jeff Schaffer and produced by Sacha Baron Cohen, Alec Berg, David Mandel, Jeff Schaffer, Todd Schulman, Anthony Hines and Scott Rudin.nn
nnAbout LEVEL 256 VISUAL EFFECTSnLocated in the Arts District of Downtown Los Angeles, and founded in 2009 by owner Scott Davids, Level 256 Visual Effects is a modern, digital artist collective and production studio that regularly contributes 2D and 2.5D visual effects to everything from highly successful, major studio motion pictures to independent films to low budget documentaries. Since its formation, Level 256 has produced VFX sequences for such major studio films as “Battleship,” “The Dictator,” “This is 40,” “Tower Heist,” “Bridesmaids,” “”Get Him to the Greek,” “Hot Tub Time Machine,” “Little Fockers,” “Cedar Rapids,” “The Change Up,” “The Five Year Engagement” and “Wanderlust,” among others. Currently, the company is completing work on “The Bourne Legacy” for Universal Pictures, and is also in production on its own short film project, “The Final Moments of Karl Brandt.” nnIn conjunction with Seth Kleinberg, Head of Production for Level 256, Davids has designed the state-of-the art boutique as an artist-centric ‘pod,’ with an emphasis on establishing a highly creative and fun working environment. The company, which employs about a dozen digital artists on a regular basis, ensures that these artists have the ability to collaborate closely with their diverse array of accomplished Filmmaker and VFX Supervisor clients. In just a few short years, Level 256 has gained an industry-wide reputation as a highly proficient, “well-oiled machine,” in its ability to quickly turn around massive, and often complex, VFX sequences. nnPrior to launching Level 256, Davids, either under his previous production banner, YARD FX, or as a Freelance Editor, produced visual effects for many of the biggest comedy films of the past decade, due in large part to his personal relationships with superstar filmmakers Judd Apatow and Sacha Baron Cohen. These include “Borat,” “Superbad,” “Knocked Up,” “Forgetting Sarah Marshall,” “Pineapple Express,” “I Love You, Man,” “Couples Retreat,” and “Bruno,” for which Davids also served as Editor. nnBefore he joined Level 256 in 2010, Kleinberg served as Head of Post Production and Information Systems, as well as a Producer, for Prologue Films. During his tenure with Prologue, he was involved in producing main titles and visual effects for a number of hit films, including VFX featured within “Iron Man,” “Across the Universe” and “The Tempest,” and title sequences for “Superman Returns,” “The Incredible Hulk,” and “Spider-Man 3,” to name some. He also produced motion graphics and special content seen within numerous broadcasts of the Academy Awards. nnLevel 256 is located at 701 East Third Street, Suite # 200, LA, CA, 90013. The phone is 323/570-0069 and their website is: www.level256vfx.comDan Harary The Asbury PR Agency Beverly Hills, CA 310/859-1831 Contact Dan via email
Creatives from Nat Geo’s “Sally,” A24’s “If I Had Legs,” Bleeker Street’s “The Wedding Banquet” and More To Speak at The Inaugural โBehind the Camera Houseโ in Park City during Sundance 2025
The first-ever โBehind the Camera Houseโ will launch in Park City during this yearโs 2025 Sundance Film Festival, inviting industry professionals, creatives, and media to engage in a day of community building through meaningful conversations, insightful panel discussions, and unique networking opportunities on Monday, January 27, 2025. Produced by Impact24 PR, co-hosted by Goodside, and led by programmer Jocelyne Roman, the event will take place at 1167 Woodside Ave, Park City, UT 84060. This one-day activation will serve as a dedicated space for creatives to hang out and connect with other festival attendees and the filmmaking community, with special attention and spotlight towards behind-the-camera crafts including picture editing, composition, sound design, costume design, and production design. The event will also give attendees an inside look at the creative processes behind the films featured at the prestigious Sundance Film Festival with exclusive panels. Showcasing industry leaders, filmmakers, and creatives from across the globe, each panel promises to be a deep dive into the artistry and craftsmanship of contemporary cinema. The day begins at 10:00 a.m. MT with the Behind the Camera House Breakfast, co-hosted by panelists from the first panel of the day โ โShaping the Narrative with Post-Production Artists.โ The panel will showcase how creatives turn raw footage into compelling stories through artistry and innovation. Featured panelists include editors Brett W. Bachman, ACE (Rabbit... Read More