4K London, the digital cinematography specialist agency, is representing digital imaging technicians (DITs) and providing on set color management equipment on Ron Howard’s latest feature film, “Rush,” which is being captured with ARRIRAW.
“Rush,” is set in the glamorous world of 1970s Formula 1 racing and is based on the true story of the great sporting rivalry between James Hunt and Niki Lauda. Produced by Cross Creek Pictures, Revolution Films and Working Title Films, “Rush” is due for release in 2013 by Universal Pictures.
Academy Award® winning cinematographer Anthony Dod Mantle (Slumdog Millionaire, 127 Hours) is shooting “Rush” using ARRI ALEXA ARRIRAW. Senior DIT Dan Carling is handling the ARRIRAW data running Codex and Truelight On Set colour management, assisted by Marc Jason Maier and Mat Brooks. Carling has previously worked with Dod Mantle on Trance, directed by Danny Boyle, and Dredd, directed by Pete Travis.
Matt Platts-Mills, Managing Director, 4K London, said, “We’re delighted to be involved with this top-flight project. Dan has considerable experience with this workflow and we are obviously delighted that Anthony is showing such faith in him. It’s great to see relationships like this develop.”
About 4K LONDON
4K London is the premier digital cinematography specialist, representing highly trained digital imaging technicians (DITs) and other data camera specialists, as well as providing workflow supervision and on-set equipment for feature films, commercials, dramas and documentaries.
Working closely with the camera team, 4K’s DIT’s provide on-set colour and data management, ensuring consistency of look and technical integrity. 4K’s clients have most recently worked on major titles including “Dredd,” “Jack The Giant Killer,” “Trance” and “Gambit,” and is currently working on Ron Howard’s “Rush” with Oscar&#reg;-winning DP Anthony Dod Mantle. www.4klondon.com
