Writer/producer/director Mo Fitzgibbon of Walker/Fitzgibbon TV and Films has collaborated as Episodic Producer with Big Machine – Robot Field & Post for INVESTIGATION DISCOVERY CHANNEL’S new docu-crime reality series ‘REAL VICE MIAMI’ episode titled, “The Miami River Cops.” The episode is slated to air Wednesday, April 4 at 10 PM Eastern/Pacific. nnThe series is helmed by Executive Producers Steve Petersen and Sean Owolo of Big Machine; Miami Herald journalist Jon O’Neill; veteran showrunner Jim Lindsay (Unsolved Mysteries, Modern Marvels, Pearl Harbor, Attack on America) and Co-producer Liza Maddrey.nnO’Neill approached Fitzgibbon about bringing her true crime story of Miami police officers gone bad – ripping off and eventually murdering drug thugs in the cocaine-crazed Miami of the 1980’s to the channel. Fitzgibbon had been following the story for several years, documenting the investigation of the case. Over time she secured life story rights on the detectives and the bad cops, wrote an original treatment, and produced and directed a short in order to show the dynamics of the riveting and compelling true story as a film and television property. nnBig Machine and the Discovery Channel executives were impressed by her presentation that they fast-tracked "The Miami River Cops" to be the first episode to go into production on the new series. In the I.D. documentary, Fitzgibbon is featured on camera as the true crime writer/screenwriter along with the detectives who cracked the case. nnExecutive producer Jim Lindsay said, “We could not have produced the River Cops episode of Real Vice Miami without the professional heavy lifting provided by Mo Fitzgibbon. She had already written and documented the case, so it was no-brainer. Coupled with the rare combination of filmmaker/journalist who is experienced, creative, and knows how to tell a story cinematically, truthfully, and with integrity. She is a great storyteller. And she looks damn good on camera!”nn
nSee “The Miami River Cops” promo online here. nnFitzgibbon said, “When I screened the final cut, I bawled my eyes out. The exceptional eye of the Director Steve Petersen, the fantastic imagery, overall look and edgy style was what we had envisioned for the documentary. We have gone from a treatment to a short to a documentary and now the screenplay – the scripted series is fully plotted and written; the material has come full circle,” Fitzgibbon added.nnExecutive Producer, and Walker/Fitzgibbon partner, Robert W. Walker has supported Fitzgibbon from the beginning on this project. "I have seen her build this from the ground up, and her passion overrides all obstacles. Her dogged and determined attitude is unrelenting. She has sacrificed so much to get this far. We are very proud of what she has accomplished with the material and the writing of the screenplay. She will get this film made – this is her “Hurt Locker.”nnLA-based Walker/Fitzgibbon TV and Films is an innovative production company known for its work in Web series, Documentaries, Biographies, Music specials, Music Videos and National Commercials. The company’s clients include: NBC Universal, FOX, LIFETIME, HBO, MTV/VH1/CMT, TELEMUNDO, UNIVISION, DirecTV, SONY MUSIC, EPIC RECORDS, and EMI. For more information, please visit us on Facebook (www.facebook.com/WFTVF) or call 323-469-6800.Mo Fitzgibbon Walker/Fitzgibbon TV and Films Contact Mo via email (323)469-6800
Liz Charky Directs a Playful and Reflective Video For Henry Hall’s “Tiny Door”
Directed by Liz Charky, the music video for Henry Hall’s ‘Tiny Door’ is a playful and profound exploration of the song’s intriguing perspective on love. Silly moments and serious heartbreak are skillfully weaved together in a series of cheeky, dreamy, profound, and sometimes psychedelic scenes. “I am a huge fan of love songs that have an unusual, hyper-specific perspective on love,” says Hall. “That’s what I wanted to do with ‘Tiny Door.’ It’s about loving someone unconditionally while recognizing that love is something that isn’t always straightforward — I think that’s something we all attempt to come to terms with in our lives. I thought it was a unique yet universal detail about love and therefore an intriguing subject matter for a song. Even though the song is a ballad at its core, it still has a lighthearted sense of humor to it — that’s really portrayed well by Liz, and Ellin Aldana, our cinematographer.” Charky explains, “When I first listened to the song, I felt it was a love song full of longing with a kind of wishful melancholy. As I spoke with Henry about his intention behind the lyrics and sound, I was assured that I'd need to explore heartbreak in a nuanced way – with a degree of levity and playfulness. For me, falling in and out of love runs the full course of human expression. Love and heartbreak can be so emotionally intense and sometimes lonely, other times quite goofy or liberating. In developing the concept, I focused on both the literal and figurative ways that falling in and out of love might look like. So, you see Henry and co-star Franny Arnautou falling, flying, dancing, raging, winking, smiling, and... Read More