Shooters Post & Transfer announced today that High-Definition post production will no longer cost its clients more than that of Standard Definition work.
How can Shooters do that? It’s simple really. Their proprietary HD workflow allows for efficiencies that others have yet to reach. Shooters has been investing in HD equipment and infrastructure with the goal of making HD post the norm versus the exception. Shooters works in any high-def format and resolution and has an array of HD decks and computers to support its client’s needs. "We all know working in HD means a much better picture but it also opens up many creative options not possible while working in Standard Definition," says Director of Post Production and Senior Editor, Mark Farkas.
Shooters, known for television commercials, network content and its film finishing division (<a href="http://(www.divevisual.com)“>DIVE), is no stranger to HD. Shooters initially invested in HD technology in the late 90’s when it was the first company outside of NY or LA to offer HD film transfer on a Spirit Telecine.
Shooters also implements a state-of-the-art, facility-wide data flow capable of servicing clients’ other demanding post-production needs in 4k, 2k, Red and other digital formats.
About Shooters Post & Transfer
Shooters Post & Transfer (www.shootersinc.com) blends talent, technology and customer service to provide a superior level of quality and creativity. Shooters‘ client base consists of ad agencies, production companies, filmmakers, television and cable networks, political consultants, PR firms, and corporations. Capabilities include Spirit 2K film transfer w/ Bones data, da Vinci 2k Plus w/Colorist Toolbox; Resolve Digital Cinema Suite, six Inferno/Smoke2k suites, nine Avid non-linear edit, four final cut suites, CGI and graphic design, Flame, three surround sound audio suites, audio recording studio, film, HD and video crews and studio. Shooters offers these services in SD, HD, 2K, 4k, RED and Viper. The company also has a content division that produces Food Network’s "Dinner: Impossible".
About <a href="http://(www.divevisual.com)“>DIVE
Based in Philadelphia, PA, <a href="http://(www.divevisual.com)“>DIVE ((www.divevisual.com)), is the visual effects and film finishing division of Shooters Post & Transfer, led by veteran Visual Effects Supervisor Mark O. Forker most recently Visual Effects Supervisor at Digital Domain, Los Angeles. As one of the east coast’s premier post production facilities for film finishing services, <a href="http://(www.divevisual.com)“>DIVE offers filmmakers the opportunity to complete Visual Effects, Digital Intermediates and Titles by coupling creative continuity with an integrated workflow. For more information contact <a href="http://(www.divevisual.com)“>DIVE VP Business Development Bob Lowery (bob@divevisual.com) or Executive Producer Andy Williams (andy@divevisual.com) at 267.514.7700.
