The deadline to submit entries for the Academy of Motion Picture Arts and Sciences’ 25th annual Don and Gee Nicholl Fellowships in Screenwriting competition is Saturday, May 1, 2010.
The Nicholl Fellowships competition is open to any individual who has not earned more than $5,000 from the sale or option of a screenplay or teleplay, or received a fellowship or prize of more than $5,000 that includes a “first look” clause, an option or any other quid pro quo involving the writer’s work. To enter, writers must submit a completed online application, upload one PDF copy of their original screenplay in English and pay the US$45 entry fee before 11:59 p.m. PT on May 1, 2010.
Last year’s competition drew a record 6,380 entries.
Entry scripts must be feature length and the original work of a sole author or of exactly two collaborative authors. The scripts must have been written originally in English. Adaptations and translated scripts are not eligible. Up to five $30,000 fellowships are awarded each year.
“The Academy is extremely proud that the Nicholl competition continues to identify talented but as yet undiscovered screenwriters,” said Academy President Tom Sherak. “I’m sure that this year’s fellowship recipients will exhibit the same great potential as so many of our past winners.”
Several past Nicholl fellows have gone on to successful screenwriting careers, including Oscar®-nominee Susannah Grant (“Erin Brockovich,” “Charlotte’s Web,” “The Soloist”), Doug Atchison (“Akeelah and the Bee”), Mike Rich (“Radio,” “The Rookie,” “Finding Forrester”), Ehren Kruger (“Transformers: Revenge of the Fallen,” “The Ring,” “Arlington Road”) and Andrew Marlowe (“Hollow Man,” “Air Force One,” ABC’s “Castle”).
Fellowships are awarded with the understanding that the recipients will each complete a feature-length screenplay during their fellowship year. The Academy acquires no rights to the works of Nicholl fellows and does not involve itself commercially in any way with their completed scripts.
Several other Nicholl fellows have had success in the film industry; to read more about them, visit http://www.oscars.org/awards/nicholl/fellows/notable.html.
Contact:Tarrah Curtis Academy of Motion Picture Arts and Sciences Contact Tarrah via email
“Ǝvolution” Comes Full Circle At The Chelsea Film Festival
The Chelsea Film Festival, running from October 16th through October 20th, 2024, at Regal Cinemas here in Union Square, is set to host the East Coast premiere of Ǝvolution, a thought-provoking experimental micro-short film that proves big ideas can come in small packages and in perfect circles.
In just 1 minute 16 seconds, this cinematic gem by Award-Winning Director Romina Schwedler, with original music by Argentine Composer Ignacio Montoya Carlotto, explores a cycle as old as time: life leads to progress, progress leads to destruction, and destruction, well, leads back to life. But is this vicious circle unbreakable? Ǝvolution suggests the answer is yes, unless we decide to open our eyes.
Inspired by the overwhelming number of recent events that threaten human existence, Ǝvolution, possibly the shortest film in this 12th edition of the festival, plays out entirely through the symbolism of circles, cleverly illustrating —in the blink of an eye— the repeating patterns of history, and confronting viewers with the uncomfortable truth that our so-called “progress” may, in fact, be guiding us to our own ruin.Premiering at the Regal 14 Union Square, New York City, on October 18, 2024, at 11 a.m., Romina Schwedler's micro-short, featuring Leah Young with cinematography by Alan J. Carmona, will be sure to spark conversations longer than the film itself! Forcing viewers to reconsider the true meaning of evolution, not just as a biological process, but as a reflection of our collective journey as humans.
With a string of festival appearances across the globe, including CineGlobe at CERN (Switzerland/France), Oscar®... Read More