wild(child) post (www.wildchildpost.com. continues to build on its standing as the go-to post house for multinational editorial talent. wild(child)’s exclusive US representation of the award-winning Argentinean editors <a href="www.wildchildpost.com.>Pablo Barbieri and <a href="www.wildchildpost.com.>Diego Panich opens up a wealth of new creative options for both general market and Hispanic campaigns.
<a href="www.wildchildpost.com.>Pablo Barbieri regularly draws deep emotional responses, from uplifting joy to epic drama, from the extensive range of material he cuts for recent clients that have included Impulse, MTV and Telecom. He has worked closely with such noted directors as Armando Bo, and has gathered a number of international awards including a Clio, Cannes Silver Lion 2007, and Ojo de Iberoamerica.
“I love the invisible art of editing,” Barbieri says. “It can be provocative, it can bring out the truth, and a subconscious emotional connection. It’s a magical and challenging way of communicating to the people. wild(child) was the right match for me here in the United States: I love wild(child)’s reel — and I’m a wild child myself!”
<a href="www.wildchildpost.com.>Diego Panich‘s intuitive eye for storytelling and humor is borne out on a critically-lauded reel that includes recent work for MTV and Sprite, as well as award-winning spots for Peugeot and Gatorade. A frequent collaborator with internationally acclaimed director Luciano Podcaminsky, Panich brings a whimsical touch to his perfectly-paced stories in long form or short form, excelling at feels that range from the subtle to the frenetic, or simply hilarious. Highly experienced at working with spots that use English, as well as minimal or no dialogue, Panich regularly transcends the language barrier with his editorial style.
“Being an editor allows me to combine two apparently opposite passions: the ‘creative sensitivity’ that this job requires, and the use of computers,” Panich says. “Besides the fact that wild(child) is one of the most important editorial post houses in the United States, I felt immediately comfortable with their people – and human ties are fundamental to me.”
wild(child) and its clients continue to benefit from editor Pablo Mari’s permanent relocation to New York City following two years of exclusive representation by wild(child). A former resident of Milan with fluency in Italian and Spanish, Mari’s latest highlights with wild(child) post include recent campaigns for Sol Beer and Sprint, both with director Andy Fogwill.
Rounding out wild(child)’s growing multinational roster is the rhythmic cutting of editor Geraldine Garcia-Esquivel. Originally from Venezuela, Garcia-Esquivel has recently edited national campaigns for Verizon Wireless and Wendy’s at wild(child)’s stylish downtown studios.
“Our most recent additions to exclusive U.S. representation, <a href="www.wildchildpost.com.>Pablo Barbieri and <a href="www.wildchildpost.com.>Diego Panich, reinforce our status as NYC’s most experienced provider of international editorial talent,” says Alexandra Leal, Executive Producer of wild(child). “Their ongoing creative partnerships with some of the world’s top directors speak volumes about their capabilities. The unique sensibilities they bring from working with the best bring enticing new possibilities to our clients’ projects.”
About wild(child) post:
wild(child) editorial is a full-service video post production facility in New York City. Founded by Yvette Piñeyro in 1995, wild(child) provides elite editing, graphics, and flame services to the broadcast industry. Its award-winning staff of internationally-culled top talent has been a part of campaigns for Heineken, Ford, Pepsi Co, Capital One, Frontier Airlines, Verizon, Time Warner, etc . Visit them at their spacious headquarters in Chelsea -Manhattan, or at www.wildchildpost.com.
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