CLIENT
Beck’s Light.
PRODUCTION CO.
@radical.media, bicoastal/
international.
Tarsem, director; Paul Laufer, DP; Frank Scherma, executive producer; Tommy Turtle, producer. Shot on location in Castelrotto, Italy.
AGENCY
Saatchi & Saatchi New York.
Mark Cacciatore and Mariano Favetto, creative directors; Dean Shoukas, senior producer; John Sullivan, art director; Glen Levy, copywriter; Eric Korte, music producer.
EDITORIAL
Jump, New York.
Antoine Mills, editor.
POST
Jump.
Michael Stolz, online editor.
Nice Shoes, New York.
Chris Ryan, colorist.
AUDIO POST
Penny Lane Studios, New York.
Joe Miuccio, mixer.
MUSIC/SOUND DESIGN
Amber Music, New York.
Robert Miller, composer, "Frisbee"; Kate Gibson, producer.
Sacred Noise, New York.
Peter Rundquist, composer/sound designer; Jeff Rosner, executive producer; Marit Burch, producer, "Accordion," "Technicians Night Out" and "Barmaid".
THE SPOTS
Four :30s communicate that Germany, traditionally known for brewing heavy European beer, has now developed a taste more suited for America. In "Accordion," three German musicians play their own rendition of Jimi Hendrix’s "Wild Thing." In "Barmaid," an old-fashioned serving wench shows off her sexy peace symbol tattoo. A pair of serious German scientists hits the bowling lanes in "Technicians Night Out." And a Julie Andrews look-alike runs through the Alpine hillside à la The Sound of Music, only to catch and toss a flying disc in "Frisbee."
Spots broke July 2.