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    Home » Penny Marshall, Director of “Big” and “A League of Their Own,” Dies At 75

    Penny Marshall, Director of “Big” and “A League of Their Own,” Dies At 75

    By SHOOTTuesday, December 18, 2018Updated:Tuesday, May 14, 2024No Comments6631 Views
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    In this Feb. 15, 2015 file photo, actress and director Penny Marshall attends the SNL 40th Anniversary Special in New York. Marshall died of complications from diabetes on Monday, Dec. 17, 2018, at her Hollywood Hills home. She was 75. (Photo by Evan Agostini/Invision/AP, File)

    By Jake Coyle, Film Writer

    NEW YORK (AP) --

    Penny Marshall, the trailblazing director of smash-hit big-screen comedies such as "Big" and "A League of Their Own" who first indelibly starred in the top-rated sitcom "Laverne & Shirley," has died. She was 75.

    Michelle Bega, a spokeswoman for the Marshall family, said Tuesday that Marshall died in her Los Angeles home on Monday night due to complications from diabetes. "Our family is heartbroken," the Marshall family said in a statement.

    In "Laverne & Shirley," among television's biggest hits for much of its eight-season run between 1976-1983, the nasal-voiced, Bronx-born Marshall starred as Laverne DeFazio alongside Cindy Williams as a pair of blue-collar roommates toiling on the assembly line of a Milwaukee brewery. A spinoff of "Happy Days," the series was the rare network hit about working-class characters, and its self-empowering opening song ("Give her any chance, she'll take it/ Give her any rule, she'll break it") foreshadowed Marshall's own path as a pioneering female filmmaker in Hollywood.

    "Almost everyone had a theory about why 'Laverne & Shirley' took off," Marshall wrote in her 2012 memoir "My Mother Was Nuts." ''I thought it was simply because Laverne and Shirley were poor and there were no poor people on TV, but there were plenty of them sitting at home and watching TV."

    Marshall directed several episodes of "Laverne & Shirley," which her older brother, the late filmmaker-producer Garry Marshall, created. Those episodes helped launch Marshall as a filmmaker. When Whoopi Goldberg clashed with director Howard Zieff, she brought in Marshall to direct "Jumpin' Jack Flash," the 1986 comedy starring Goldberg.

    "Jumpin' Jack Flash" did fair business, but Marshall's next film made her the first woman to direct a film that grossed more than $100 million. Her 1988 hit comedy "Big," starring Tom Hanks, was about a 12-year-old boy who wakes up in the body of a 30-year-old New York City man. The film, which earned Hanks an Oscar nomination, grossed $151 million worldwide, or about $320 million accounting for inflation.

    Marshall reteamed with Hanks for "A League of Their Own," the 1992 comedy about the women's professional baseball league begun during World War II, starring Geena Davis, Madonna and Rosie O'Donnell. That, too, crossed $100 million, making $107.5 million domestically.

    More than any other films, "A League of Their Own" and "Big" ensured Marshall's stamp on the late '80s, early '90s. The piano dance scene in FAO Schwartz in "Big" became iconic. Hanks' reprimand "There's no crying in baseball," from "A League of Their Own," remains quoted on baseball diamonds everywhere.

    On Tuesday, Marshall's passing was felt across film, television and comedy. The James L. Brooks praised her for making "films which celebrated humans" and for her guiding influence to young comedians and writers. "To many of us lost ones she was, at the time, the world's greatest den mother."

    "She had a heart of gold. Tough as nails," recalled Danny DeVito, who starred in Marshall's 1994 comedy "Renaissance Man." ''She could play round ball with the best of them."

    Marshall's early success in a field where few women rose so high made her an inspiration to other aspiring female filmmakers. Ava DuVernay, whose "A Wrinkle in Time" was the first $100 million-budgeted film directed by a woman of color, said Tuesday: "Thank you, Penny Marshall. For the trails you blazed. The laughs you gave. The hearts you warmed."

    In between "Big" and "A League of Their Own," Marshall made the Oliver Sacks adaptation "Awakenings," with Robin Williams and Robert De Niro. The medical drama, while not as successful at the box office, became only the second film directed by a woman nominated for best picture.

    Carole Penny Marshall was born Oct. 15, 1943, in the Bronx. Her mother, Marjorie Marshall, was a dance teacher, and her father, Anthony, made industrial films. Their marriage was strained. Her mother's caustic wit — a major source of inspiration for Marshall's memoir — was formative. (One remembered line: "You were a miscarriage, but you were stubborn and held on.")

    "Those words are implanted in your soul, unfortunately. It's just the way it was," Marshall once recalled. "You had to learn at a certain age what sarcasm is, you know? When she says it about somebody else, you laughed, but when it was you, you didn't laugh so much."

    During college at the University of New Mexico, Marshall met Michael Henry, whom she married briefly for two years and with whom she had a daughter, Tracy. Marshall would later wed the director Rob Reiner, a marriage that lasted from 1971 to 1981. Tracy, who took the name Reiner, became an actress; one of her first roles was a brief appearance in her mother's "Jumpin' Jack Flash." (Marshall is also survived by her older sister, Ronny, and three grandchildren.)

    Marshall never again matched the run of "Big," ''Awakenings" and "A League of Their Own." Her next film, the Army recruit comedy "Renaissance Man," flopped. She directed "The Preacher's Wife" (1996) with Denzel Washington and Whitney Houston. Her last film as director was 2001's "Riding in Cars With Boys," with Drew Barrymore. Marshall also helmed episodes of ABC's "According to Jim" in 2009 and Showtime's "United States of Tara" in 2010 and 2011, and directed the 2010 TV movie "Women Without Men."

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    Elon Musk Takes Stand In Trial vs. Sam Altman That Could Reshape AI’s Future

    Tuesday, April 28, 2026

    Elon Musk, the Tesla CEO, world's richest man and OpenAI cofounder, took the stand Tuesday in a high-stakes trial revolving around a bitter feud with his former friend Sam Altman that could reshape the future development of artificial intelligence.

    His testimony at the Oakland, California, federal courthouse kicked off a legal drama that is expected to brim with intrigue and potentially embarrassing details about the two tech moguls. Musk filed the lawsuit against Altman and his top lieutenant, Greg Brockman, along with Microsoft over its investments in OpenAI, in 2024.

    "Fundamentally, I think they're going to try to make this lawsuit ... very complicated, but it's actually very simple," Musk said. "Which is that it's not OK to steal a charity."

    The nine-person jury was selected Monday and the trial is scheduled to take three weeks.

    In the civil lawsuit, Musk accuses Altman and Brockman of double-crossing him by straying from the San Francisco company's founding mission to be a steward of a revolutionary technology. In his opening statement, Musk's attorney, Steven Molo, quoted OpenAI's mission statement when it was created as a nonprofit for the benefit of humanity, not constrained by the need to generate financial enrichment for anyone.

    Altman and Brockman, aided by Microsoft, stole a charity "whose mission was the safe, open development of artificial intelligence," Molo said. Musk is seeking damages and Altman's ouster from OpenAI's board.

    OpenAI has brushed off Musk's allegations as a case of sour grapes aimed at undercutting its rapid growth and bolstering Musk's own xAI, which he launched in 2023 as a competitor.

    Both sides recount the start of a bitter divide
    In his opening statement,... Read More

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